Hammer

A blocky H-tile — read it as a hammer head if that’s what the eye catches — repeated so each piece locks into its neighbors. The arms of one tile fit the notches of the next, and the pattern reads as a tight interlocking weave rather than a stamp.

The form belongs to the family of mid-century block patterns: breeze blocks, paving units, the kind of geometry that came out of poured concrete and modular construction. Simple silhouettes that gain their interest from how they fit together rather than from any one piece on its own.

At architectural scale the interlock makes sense as a screen or a wall. At jewelry scale, a single hammer cut from sheet metal becomes a pendant — its notched silhouette already doing the work that the full field would do at building scale.